AW Office Chair Drawing Methods

The drawing methods for AW office chairs vary depending on the type, with common approaches including simple sketches, flat drawings of boss office chairs, and sketch drawings. Here are the specific introductions:

Simple Sketch Drawing Method for Office Chairs

First, draw a quadrilateral as the seat surface of the chair, which is the basic part of an office chair and represents the plane where we sit. Next, draw the thickness of the chair based on this quadrilateral to give it a three-dimensional appearance. Then, draw the two front legs of the chair below the seat surface; these legs support the weight at the front of the chair. After that, draw one back leg at the rear of the chair and another back leg on the right side, enabling the chair to be placed stably on the ground. Draw a cross-brace between the two back legs to reinforce them. Finally, draw a backrest support between the two back legs to provide back support for the user.

Flat Drawing Method for Boss Office Chairs

First, use two rectangles to draw the general outline of the desk and embellish the desktop, such as by simply sketching the texture or edge lines of the desktop. Place two phones on the office desk to enhance the realism of the scene. The chair for the boss is usually made of leather material and is mostly drawn with an arc shape to reflect the comfort and high-end feel of the chair. The chairs for guests can be drawn with straight edges and corners to contrast with the boss's chair and highlight different identities and statuses.

Sketch Drawing Method for Office Chairs

Determine a horizontal straight line representing the ground on the drawing paper. By comparing with this line, draw the general outline of the upper and lower parts of the chair. Since the edges of a leather sofa are curved, draw a soft feel by using curved lines for both the edge lines and the inner contours of the sofa. Draw the two armrests according to the front-to-back perspective relationship, following the principle of near-large and far-small. For the base below, first draw the metal legs on the left and right sides, and then draw the other three legs, paying attention to the perspective relationship to give the chair a sense of space. According to the light source, use a soft pencil (5B) to draw the general dark areas of the entire office chair and determine the basic distribution of light and shadow. Use a soft pencil (7B) to draw the overall tone of the leather sofa, as well as the colors of the wheel parts below and the connection parts between the legs and the chair. When depicting the turning surfaces of the dark areas of the leather sofa, ensure a natural transition, handle the gray areas subtly, and leave reflective surfaces. Use a soft pencil (6B) to further depict the leather on the leather sofa and the two armrests, leaving reflective surfaces at the texture interfaces of each layer of the sofa. First, use a paper stump to lightly smudge the dark and gray areas of the sofa, leaving highlights and reflective surfaces to make the picture softer. The tone of the sofa processed with a paper stump is more harmonious, but the tone will decrease and the black-white-gray relationship will weaken. At this time, use a soft pencil (6B) to deepen the contrast between the dark and gray areas. For the metal legs of the base, determine the light source, identify the general positions of the dark areas, observe the reflections, strengthen the contrast between the gray and dark areas. The highlights of the metal legs are small and sharp, highlighting the metallic texture.