Ancient Top Office Chairs
In ancient times, there was no exact equivalent to the modern concept of an 'office chair,' but some chairs can be regarded as representatives of top-tier seating due to their design, purpose, or symbolic significance.
Throne: As the exclusive seating for ancient emperors, thrones were large and elaborately carved, used only in the main halls of the palace. Their design prioritized not only comfort but also symbolic meaning, representing supreme power. The craftsmanship of thrones was extremely exquisite, often using precious woods and inlaid with gold, silver, and jewels, showcasing the royal dignity and luxury.
Taishi Chair: The only chair named after an official position, the Taishi chair features a right-angled backrest and armrests, with a heavy and sturdy build, making it a standard fixture for the nobility and halls in ancient times. It first appeared in the Song Dynasty, originally as the exclusive seating for high-ranking officials known as Taishis, placed in palaces and halls to display the owner's power and status. The design of the Taishi chair emphasizes stability and solemnity, suitable for formal occasions.
Folding Chair: The foldable folding chair, derived from the 'Hu bed,' is what is meant by 'the first folding chair.' It was the exclusive seating for ancient nobility, symbolizing the right to speak. The folding chair originated in the Tang Dynasty, became widely popular in the Song Dynasty, and reached its peak in the Ming Dynasty. Its design facilitated portability, allowing it to be used anytime during outings or hunting trips, symbolizing identity and status. The folding structure of the folding chair reflects the wisdom and innovation of ancient craftsmen.
Four-Protruding Official's Hat Chair and Southern Official's Hat Chair: The four-protruding official's hat chair has a protruding top rail and armrests, resembling an official's hat, symbolizing steady promotion, with bold lines, favored by northern literati. The southern official's hat chair has non-protruding top rail and armrests, with soft lines and minimal decoration, displaying the gentle and reserved nature of southern literati. Both are representative works of Ming-style furniture, with their designs inspired by the wings of officials' hats in the Song Dynasty, combining practicality and aesthetics.
Meditation Chair: With a wide seating surface and short armrests, the meditation chair is ideal for sitting cross-legged in meditation, its minimalist design exuding a sense of Zen, making it an excellent choice for study rooms and tea houses. Its design is very particular, with armrests level with the backrest, creating an ethereal space beneath the backrest and armrests. The seating surface is woven with rattan strips, making it very suitable for cross-legged meditation. The meditation chair reflects the importance ancient literati placed on spiritual pursuits.
